TriniTrent of The Lava Lizard, when talking about Michael and Janet Jackson's " Scream", evokes "Dirty Diana" along with Jackson's "pop/rock musical direction" he has previously experimented with. Musically, "Dirty Diana" is a pop rock and hard rock song similar to "Beat It", with elements of heavy metal. Jackson also confirmed the same during an interview with Barbara Walters, adding that it was not about Diana, Princess of Wales, though he was told personally by the Princess that it was her favorite among his songs. In an interview from the special edition of Bad, Jones later confirmed that the song's lyrics were about groupies. In fact, Ross started using the song as an overture at her concerts shortly before appearing on stage. Initial reports at the time suggested the song was a poke at his close friend Diana Ross. Jackson hired Billy Idol's guitarist Steve Stevens to back him on the track. After "Beat It", "Dirty Diana" was the second hard rock song of his solo career, with lyrics about a persistent groupie. The song was released by Epic Records on April 18, 1988, as the fifth single from Bad. It appeared on Jackson's seventh studio album, Bad. It was produced by Quincy Jones and Michael Jackson. "Dirty Diana" was written by Michael Jackson. A music video for "Dirty Diana" was filmed in front of a live audience and released in 1988.
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In 2009, after Jackson's death in June, the song re-entered charts, mainly due to digital download sales. The song also charted within the top ten in multiple countries, including the United Kingdom, France, Italy, and New Zealand. 1 on the United States Billboard Hot 100. "Dirty Diana" received mixed reviews from contemporary music critics, but was a commercial success worldwide in 1988, charting at No. "Dirty Diana" has a moderate tempo and is played in the key of G minor. "Dirty Diana" was written and co-produced by Jackson, and produced by Quincy Jones. It presents a harder rock sound similar to " Beat It" from Thriller (1982) and a guitar solo played by Steve Stevens. The song was released by Epic Records on Apas the fifth single from the album. It is the ninth track on Jackson's seventh studio album, Bad. Consequently, it's the rare multi-platinum, number one album that qualifies as a nearly forgotten, underappreciated record." Dirty Diana" is a song by American artist Michael Jackson. But it didn't - it arrived along with grunge, which changed the rules of the game nearly as much as Thriller itself. Even so, Dangerous captures Jackson at a near-peak, delivering an album that would have ruled the pop charts surely and smoothly if it had arrived just a year earlier.
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But, there's a lot to be said for professional craftsmanship at its peak, and Dangerous has plenty of that, not just on such fine singles as "In the Closet," "Remember the Time," or the blistering "Jam," but on album tracks like "Why You Wanna Trip on Me." No, it's not perfect - it has a terrible cover, a couple of slow spots, and suffers from CD-era ailments of the early '90s, such as its overly long running time and its deadening Q Sound production, which sounds like somebody forgot to take the Surround Sound button off. If it is hardly as effervescent or joyous as either of those records, chalk it up to his suffocating stardom, which results in a set of songs without much real emotional center, either in their substance or performance. The end result of this is a much sharper, harder, riskier album than Bad, one that has its eyes on the street, even if its heart gets middle-class soft on "Heal the World." The shift in direction and change of collaborators has liberated Jackson, and he's written a set of songs that is considerably stronger than Bad, often approaching the consistency of Off the Wall and Thriller. So, it was time for a change-up, something even a superstar as huge as Michael Jackson realized, so he left Quincy Jones behind, hired Guy mastermind Teddy Riley as the main producer, and worked with a variety of other producers, arrangers, and writers, most notably Bruce Swedien and Bill Bottrell. Despite the success of Bad, it was hard not to view it as a bit of a letdown, since it presented a cleaner, colder, calculated version of Thriller - something that delivered what it should on the surface, but wound up offering less in the long run.
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